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tom wesselmann

 

signed, numbered & blindstamped
Referenced in "The Prints of Roy Lichtenstein Raisonné 1948-97": Hudson Hills: 2002: P266, no.297



Signed on right handside, in the white border. Numbered signed date '96. Size, shape & fludity have been confirmed to be consistant with the Raisonne and also various print samples of similar age.
Blindstamped lower right GEL chop. Stamped on verso "published by GEL, Los Angeles", workshop number underneath
 

composition I:
size: 47 11/16 x 34 11/69 inches: 121.1cm x 88.2cm• edition: 21/50 • year:1996

this print is a beautiful example of lichtenstein's musical imagery series, and consists of seven other prints. the series was executed for charitable causes. composition I has a specific nature flow and many consider this to be the most aesthetically arranged print. lichtenstein also combined a hint of his previous technique of light, depth and shadow by use of his trademark diagonal lines and blue dots, this helps to give the work an extra dimension.


 

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roy lichtenstein, along with andy warhol were the original exponents of popart in the 50's. in a movement that was in stark contrast to the more self-indulgent 'abstract expressionism', popart stood as a critique on mass consumerism. the actual testament, to this movement, is it's true realization and relevence on todays 'fame' obsessed culture.
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