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tom wesselmann

signed, numbered & blindstamped
Referenced in "The Prints of Roy Lichtenstein Raisonné 1948-97": Hudson Hills: 2002: P252, no.281



Signed on right handside, in the white border. Size, shape & fludity have been confirmed to be consistant with the Raisonne and also various print samples of similar age.
  Blindstamped on right hand side by Gemini GEL chop. Stamped on verso plus workshop no. The stampings shape & position are also consistent with Raisonne and various print samples of different editions and/or exsisting prints from the same time period.  
 
waterlily:
size: 18 1/2 x 23 inches: 47cm x 58.4cm • edition: 111/130 • year:1993
lichtenstein's waterlily series origins can be seen as far back as the '61 painting 'look mickey'. this is when lichtenstein first started to implement the idea and style of 'reflections' into this work. this theme appears often through the proceeding years, but it was the culmination of 'reflections' and his love for monet that saw the birth of the waterlily. the subject matter itself is always highly collectable and the waterliles subjective style gives the print more of a mass market appeal, thereby increasing the prints value and collectability.


 

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roy lichtenstein, along with andy warhol were the original exponents of popart in the 50's. in a movement that was in stark contrast to the more self-indulgent 'abstract expressionism', popart stood as a critique on mass consumerism. the actual testament, to this movement, is it's true realization and relevence on todays 'fame' obsessed culture.
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